See available prints and multiples, paintings, and … Lee Krasner was a major figure in the American Abstract Expressionist movement and the wife of Jackson Pollock.Working in oil on canvas, ink on paper, and mixed-media collage, Krasner produced works characterized by a sensuous painterly style, her large-scales collages often formed from the artist’s own cut-up paintings and drawings. In 1942, both were included in his major exhibition French and American Painting at an antique furniture store in midtown New York. Lee Krasner was an influential American abstract expressionist painter in the second half of the 20th century.
Krasner pursued yet more art education at the illustrious National Academy of Design, completing her course load there in 1932. Nature became an immersive theme: The Seasons (1957) stretched 17 feet wide, and Gaea (1966), after the Greek earth goddess, shows her moving toward broad swaths of color and rhythm. Like Picasso during the brief period of his interaction with Braque, the daily give-and-take of Pollock and Krasner stimulated both artists. She studied at The Cooper Union and the National Academy of Design, and worked on the WPA Federal Art Project from 1935 to 1943. For access to motion picture film stills please contact the Film Study Center. In 1956, while Krasner was in Europe, Pollock died in a car crash.
Although there was much cross-pollination between their two styles, the relationship somewhat overshadowed her contribution for some time. From an early age, Krasner knew she wanted to pursue art as a career.
Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. This record is a work in progress. Krasner, working in her upstairs bedroom studio, began her breakthrough Little Images series—its canvases small enough to fit on a bedside table—and made mosaiced tabletops. Krasner was inspired to knock on Pollock’s apartment door to check out his work. (Pollock was already suffering from debilitating alcoholism.) When The Museum of Modern Art opened in 1929, Krasner said, “It was like a bomb that exploded…nothing else ever hit me that hard, until I saw Pollock’s work.”2 She became a mural painter for the Works Progress Administration, the Depression-era public art project, and an arts activist. 11, Women Artists and Postwar Abstraction | HOW TO SEE with MoMA curator Starr Figura, Feminist art movement in the United States, New York School of Applied Design for Women, Elizabeth A. Sackler Center for Feminist Art, Heresies: A Feminist Publication on Art and Politics, Painting (Silver over Black, White, Yellow and Red), https://en.wikipedia.org/w/index.php?title=Lee_Krasner&oldid=986385358, American people of Ukrainian-Jewish descent, People from East Hampton (town), New York, Pages using infobox artist with unknown parameters, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. By attending a technical art school, Krasner was able to gain an extensive and thorough artistic education as illustrated through her knowledge of the techniques of the Old Masters.
Lenore "Lee" Krasner (born Lena Krassner on October 27, 1908 – June 19, 1984) was an American abstract expressionist painter, with a strong speciality in collage, who was married to Jackson Pollock. She always wanted to study and make art, and attended the Women’s Art School at Cooper Union and the National Academy of Design. View Lee Krasner’s 284 artworks on artnet. In 1937, she studied with the influential teacher and artist Hans Hofmann and joined the American Abstract Artists group; she went dancing to jazz with Piet Mondrian. Prudence Peiffer, Managing Editor, Creative Team. Krasner was the daughter of Chane (née Weiss) and Joseph Krasner. They opposed an old-fashioned, conformist, and repressed culture unreceptive to these values, which was put off by the intricacy of Modernism in general.
She had been suffering from arthritis. She specifically sought out enrollment at Washington Irving High School for Girls since they offered an art major. She typically created charcoal drawings of the human models and oil on paper color studies of the still life settings. Here, she completed the course work required for a teaching certificate in art. SFMOMA", "Gold Stone, from the Primary Series - Lee Krasner", San Francisco museum's Rothko sells for $50m as Sotheby’s closes bumper week of New York auctions, Jackson Pollock and Lee Krasner papers, circa 1905-1984, Oral history interview with Lee Krasner, 1964 Nov. 2-1968 Apr. Lee was the fourth of five children, including her sister, Ruth, and the first who was born in America. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Lee Krasner's biographical background is widely known at this point. She was rigorously self-critical, and her critical eye is believed to have been important to Pollock's work. Lee Krasner was a renowned American Abstract Expressionist painter. This initial investigation into modern art formed her work throughout the rest of her career. She died in 1984, just a few months before her retrospective opened at MoMA. Robertson, Bryan; Robert Miller Gallery New York, This page was last edited on 31 October 2020, at 14:43. Krasner was highly influenced by the opening of the Museum of Modern Art in 1929. Krasner’s training, influenced by George Bridgman and Hans Hofmann, was the more formalized, especially in the depiction of human anatomy, and this enriched Pollock’s more intuitive and unstructured output. Milkweeds was conceived by Krasner by recycling some of these remenents, which she incoporates with paper scraps and by applying a new layer of oil paint. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Mary Gabriel, Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement that Changed Modern Art (New York: Little Brown & Company, 2018), 26. She submitted it to the National Academy in order to enroll in a certain class, but the judges could not believe that the young artist produced a self-portrait en plein air. Her parents fled to the United States to escape anti-Semitism and the Russo-Japanese War. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Our site uses technology that is not supported by your browser, so it may not work correctly. Krasner is now seen as a key transitional figure within abstraction, who connected early-20th-century art with the new ideas of postwar America, and her work fetches high prices at auction. As one dealer remarked, Krasner “knew more about painting than anyone in the United States, except John Graham.”3. She is one of the few female artists to have had a retrospective show at the Museum of Modern Art. During the class, a human nude or a still life setting would be the model from which Krasner and other students would have to work. The still lifes illustrated her interest in fauvism since she suspended brightly colored pigment on white backgrounds. By visiting our website or transacting with us, you agree to this. Krasner and Pollock gave each other reassurance and support during a period when neither's work was well-appreciated.
Lee Krasner was a force of nature, always pushing abstraction forward. As the art historian Helen Harrison, now the director of the Pollock-Krasner House in Springs, NY, once wrote, Krasner “squeezed the juice out of her imagery.”1, Krasner was born in 1908, to Russian-Jewish refugees in Brooklyn.
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